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Vytal Movement Dance
Vytal Movement Dance will present a dance concert titled, Together We Dance, that celebrates our way back together as community. The work will be performed three times in the Spring of 2022.
Lucas Brookbank Brown
Brown is receiving support from SAGA to record and produce of a compilation album featuring original songs from four local individual emerging artists.
Kemuel DeMoville
DeMoville is receiving SAGA support to write two short plays. These plays will eventually join a total of seven or eight new short works by DeMoville in a suite of Theatre for Youth plays entitled, “Bridges.”
Posie Kalin
Kalin will use both digital and traditional arts as the vehicles for learning and expressing concepts in biodiversity with students at Spokane’s Pratt Academy.
Ari Nordhagen
The Spokane Cookbook will share, celebrate, and support the stories and efforts of Spokane’s important culinary industry.
Inland Northwest Opera (INO)
The Opera Truck is INO’s newest program: a 16-foot box truck, which has been converted into a mobile stage to employ artists, expand INO’s audience, and provide educational programs through Covid restrictions.
Latah Books
Latah Books is working to position itself as one of the emerging and independent literary destinations for memoirists, while diversifying the authors they promote.
Janie Edwards
I began painting during an 8 month stay in Cambridge UK, then continued classes at Whitworth University.
Andrew Parker
Andrew (Stulz) Parker (b. 1991 in Grants Pass, OR) lives and works in Spokane, Washington. He studied photography and architecture at Montana State University, receiving a B.A. in Environmental Design from Montana State University and a Master of Architecture from the University of Houston in 2016.
Monument removal recommended by Citizens’ Advisory Council
Spokane Arts stands with the Pacific Islander community in asking the city to remove this statue. Removing it would be one step toward correcting inaccurate history and toward healing the communities harmed. This monument was donated to the city of Spokane in 1906, commissioned by a wealthy family. The pediment of the statue perpetuates racist stereotypes in both text and imagery, and is a source of ongoing harm not only to Samoans and the broader Pacific Islander community, but to all Indigenous peoples who have been denigrated with the same racist stereotypes found on the monument. The statue should be removed.